Alexander Jablokov

 

I'm a writer, mostly of science fiction, with a new novel, Brain Thief.

The name is pronounced Yablokov, and the legal name is Jablokow.  My best friends can't spell or pronounce it, so you shouldn't worry about it either.

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Write me at alexjablokow [at] comcast.net

I'd love to hear from you.

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"Bad Day on Boscobel", The Other Half of the Sky, upcoming

"Since You Seem to Need a Certain Amount of Guidance", Daily Science Fiction, November 6, 2012

"Feral Moon", novella, Asimov's Science Fiction, upcoming

"The Comfort of Strangers", short story, Magazine of Fantasy and Science Fiction, January/February 2012

"Blind Cat Dance" reprinted in Gardner Dozois's Best Science Fiction of the Year 28

"The Day the Wires Came Down", novelette, Asimov's Science Fiction, April/May 2011

"Plinth Without Figure", short story, Magazine of Fantasy and Science Fiction, November/December 2010

"Warning Label", short story, Asimov's Science Fiction Magazine August 2010

"Blind Cat Dance", short story, Asimov's Science Fiction Magazine March 2010

Brain Thief, a novel, Tor Books, January 2010

 

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« The drone in your future | Main | In search of a fruitful idea, like the Trinity »
Friday
Mar162012

That which does not destroy us: delivering a novel to the workshop

In my day job, I am a marketing writer. In cartoons like Dilbert, and in much common belief in tech companies, marketing people are blithering idiots who have no idea of what the products do, who the customers are, or even what business they are in.

That hasn't actually been my experience. People actually expect marketing people to know a lot about the business they are writing for. In my case right now, that's a wide range of medical devices, from heart valves to hip implants. So, sometimes people are a little uncomfortable telling me when I have something wrong ("does he really not know that a good market for facet arthroplasty might not develop?") Well, no, I don't. That was just my guess.

But what I say to them when they wonder if I really want to be corrected: "Either you think I'm an idiot, and it's just between us, or you and some thousands of other people think I'm an idiot." There's really no way around it. Unlike most jobs, mine is practiced in the open. By definition, the world sees pretty much everything I produce.

I'm not telling this so that you'll feel sorry for me, or respect me more.  Or both. Paradoxically enough, we do frequently want both of those things simultaneously.

I'm telling you because I just turned in the manuscript of my novel, Timeslip, to my writing workshop, the Cambridge Science Fiction Workshop (CSFW). Finally, someone other than me will read this thing.

The CSFW is a powerful tool. It has a procedure set, a corporate culture, and a long-serving subset of members that makes it effective in uncovering a wide set of shortcomings in a manuscript. Like any workshop, it is a great servant but a terrible master. In my experience, they can only make a book better. Not that every suggestion or even observation is good or pertinent.

And it's done in private. No reader will ever have to experience that poorly motivated character or that impossible use of steam power. Just those brave folks of the CSFW.

It's long past the time when luck had anything to do with it, but I won't mind if you wish me some anyway.

 

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