Alexander Jablokov


I'm a writer, mostly of science fiction, with a new novel, Brain Thief.

The name is pronounced Yablokov, and the legal name is Jablokow.  My best friends can't spell or pronounce it, so you shouldn't worry about it either.

More here

Write me at alexjablokow [at]

I'd love to hear from you.





"How Sere Picked Up Her Laundry", Asimov's Science Fiction July/August 2017(out now)

"The Forgotten Taste of Honey", Asimov's Science Fiction, October/November 2016

"The Return of Black Murray", Asimov's Science Fiction, April/May 2016

"The Instructive Tale of the Archeologist and His Wife", Asimov's Science Fiction, July 2014

"Bad Day on Boscobel", The Other Half of the Sky.

"Feral Moon", novella, Asimov's Science Fiction, March 2013

"Since You Seem to Need a Certain Amount of Guidance", Daily Science Fiction, November 6, 2012

"The Comfort of Strangers", short story, Magazine of Fantasy and Science Fiction, January/February 2012

"Blind Cat Dance" reprinted in Gardner Dozois's Best Science Fiction of the Year 28

"The Day the Wires Came Down", novelette, Asimov's Science Fiction, April/May 2011

"Plinth Without Figure", short story, Magazine of Fantasy and Science Fiction, November/December 2010

"Warning Label", short story, Asimov's Science Fiction Magazine August 2010

"Blind Cat Dance", short story, Asimov's Science Fiction Magazine March 2010

Brain Thief, a novel, Tor Books, January 2010


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Sometimes things do get done: my story in the Oct/Nov Asimov's

I have a story in the upcoming Asimov's, the October/November 2016 "Special Slightly Spooky Issue". The story is called "The Forgotten Taste of Honey", and is a fantasy novella.

I don't write (or read) a lot of fantasy, so this is an odd one for me. And it's vaguely medievalish, with ponies, fortifications, and limited technology, which is even odder, because that is the kind of fantasy that least appeals to me. In part, the story was a way for me to examine why many people like that kind of setup, what they get out of this kind of story, and what it says about me that I don't get the same kind of charge out of it.

The underlying mythic/magical system is what came first, which is probable common for a science-fiction writer essaying fantasy. The system had some nice plot-generating elements, and, indeed, it did generate this story, about a woman of middle years who, through now fault of her own, gets stuck in a location she desperately needs to get out of.

What Tromvi does to get out of her predicament, and to rescue someone else she finds there, turns out to have serious consequences that eventually reverberate throughout her world, a mountainous island called Scarpland.

I didn't really think about this while writing the story, just happy to get her on her way home, but it became more and more clear to me as I thought about it afterward. So Tromvi may well end up in a novel, one called Icecliff, after the location she made her necessary, but dangerous decision.

Which is find with me. I wouldn't mind spending some more time with Tromvi.

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