Dealing with Classical Music Hosts

I've previously been a jerk about "The Moldau". Now it's time be a jerk about on-air classical musical hosts.

It's not an easy job. How much information should you provide about each piece? How many unfamiliar pieces should you mix in with the old warhorses? And how many old warhorses should you include that are performed by unfamiliar orchestras, or with innovative interpretations? I get that there is more work involved than us listeners appreciate.

 Chris Voss is annoyingly good looking too.

Chris Voss is annoyingly good looking too.

Still, you could have an interesting and pleasing personality. My home station is WCRB, though, weirdly, its player just will not load in Firefox, my default browser, so I have to have a separate Chrome window to listen to it. My favorite host by far is Chris Voss, on in the afternoons. I'm not quite sure what makes him so appealing. He is funny but not ingratiating, and seems to both love the music and be a regular guy you'd like to hang out with. I also don't get a sense of staleness from his programming choices.

I used to also really like another WCRB host, Lynnsay Maynard, who had that same afternoon slot. Then she disappeared. Earlier this week, I was listening to my other favorite station, All Classical Portland, and I recognized a familiar voice. It was Lynnsay! She seems to have moved out to the west coast. That's a pity, but at least I get to hear her again.

 I can hear Lynnsay through the miracle of the internet

I can hear Lynnsay through the miracle of the internet

At All Classical Portland I do miss Robert McBride, who recently left. He was incredibly knowledgeable, and seemed to have met and interviewed almost everyone in the field. He seemed a bit austere, but always hopeful that we could appreciate what he was finding for us to listen to. And I've had a crush on Brandi Parisi since she was the overnight host, many years ago. She also teaches philosophy and seems to have cool-looking tattoos. She has distinct likes and dislikes, though she won't force them on you. I remember her very gently indicating to another host her dislike of Simone Dinnerstein's interpretation of the Goldberg Variations, which I appreciated even though I rather like Dinnerstein's Bach.

Classical hosts who fail tend to try to ingratiate themselves by being jokey when they clearly aren't at all funny, or by being a bit cutesy, as if we are all children in music appreciation class. Or by being dead boring. Though I said I was going to be a jerk, I really don't want to name people I don't like. There's a senior person at All Classical who is just dull.

And here in Boston we have a morning host I find simply appalling. I won't even listen until this person has safely left the air. My dentist is a WCRB listener, and he says he has another patient who loathes this host. If I didn't know he was a professional, I'd ask to meet this woman. Bitching about our shared dislike of the morning host would be a great first date. WCRB has a tradition of divisive morning hosts. For years it was Robert J. Lurtsema (chirping birds!) who drove some people crazy.

So, yeah, I've baited you with the internet's main currency, rage and denunciation, and instead given you a bunch of stuff I like, and been bizarrely discreet about my dislikes.

Do you have any hosts you particularly like...or don't?

You can remember ones from your childhood too. A good host can really open things up to a beginner...and a bad one can make the whole thing seem intolerable.